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The catalog

Mallet Instrument Rental

The complete mallet section — marimbas to crotales, celesta to chimes — on one page. Scroll the sections below, add what the program needs to your quote, and we’ll confirm rates and delivery.

29 instruments

0 shown · 0 ready

Celesta

1 instrument
Celesta Ready

Schiedmayer Compact Celesta 5.5 Octave

The first-choice celesta of professional orchestras — Schiedmayer’s top-of-the-line 5.5-octave Compact Model (C–F5), tuned to A=442. The hinged lid opens up for maximum projection when the hall demands it.Large resonators and wide,...

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Crotales

1 instrument More about crotales
Crotales Ready

Zildjian Crotales 2 Octave C–C

The industry standard that's been on more recordings than any crotale set in history. If you've heard crotales on a major label release in the last 40 years, there's a good chance...

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Marimbas

8 instruments More about marimbas
Marimbas Ready

Adams Alpha Apex Marimba 5.0

Five octaves of Honduran rosewood perfection. The extended bass range rumbles like distant thunder while the high notes sparkle like morning light on water. This is the marimba that concert halls were...

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Marimbas Ready

Adams Alpha Marimba 4.3

The competition marimba that's won more international contests than we can count. Honduran rosewood bars with the kind of warmth and projection that makes judges reach for higher scores. The Alpha isn't...

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Marimbas Ready

Leedy Marimba 4.0

Vintage Leedy craftsmanship from an era when marimbas were built like heirlooms. The rosewood has aged into something extraordinary—a depth of tone that new instruments spend decades chasing. Studio engineers specifically request...

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Marimbas Ready

Marimba One Izzy Marimba 5.0

Ron Samuels' signature instrument, and the one a lot of soloists quietly consider the finest marimba ever built. Five octaves of graduated rosewood with a low end you feel in your sternum...

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Marimbas Ready

Marimba One Marimba 4.3

California-built by artisans who treat each instrument like a sculpture. Marimba One's reputation isn't manufactured—it's earned, one painstakingly hand-tuned bar at a time. The sustain is operatic. The evenness across registers is...

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Marimbas Ready

Marimba One WAVE Marimba 5.0

Marimba One's touring workhorse, and proof that "road-ready" and "concert-grade" aren't opposites. Five octaves of hand-tuned rosewood on the Wave's fast-folding frame—the instrument that shows up to the gig, sets up in...

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Marimbas Ready

Musser Marimba 4.0

The workhorse that built the American marimba tradition. Musser instruments have been in more music rooms, concert halls, and studios than any other brand. There's a reason they're the standard—reliable, resonant, and...

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Marimbas Ready

Musser Marimba 4.3

Extended range Musser with that unmistakable American sound. Warm without being muddy, bright without being harsh. The 4.3 range covers everything from Bach transcriptions to contemporary concerti. Practical, professional, proven. Rental Details...

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Orchestra Bells

3 instruments More about orchestra bells
Orchestra Bells Ready

Adams Concert Bells 2.6 Octave F–D

Dutch engineering at its finest. These bars are so precisely tuned that piano tuners get jealous. The frame is built like a tank but resonates like a concert hall. When the LA...

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Orchestra Bells Ready

Adams Parsifal Bells 3.3 Octave C–E

Named after Wagner's opera for a reason—these are the bells you bring when the music demands transcendence. Extended range, cathedral-like sustain, and the kind of pure tone that makes audiences forget they're...

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Orchestra Bells Ready

Yamaha YG-1210 Glockenspiel

The Yamaha YG-1210 — 2.5 octaves of concert bells with a clean, cutting voice that sits right on top of an ensemble. High-carbon steel bars, non-graduated at a full 1-1/4" wide, give...

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Song Bells

1 instrument More about song bells
Song Bells Ready

Deagan No. 100 Song Bells 2.5 Oct G–C

Steel-bar song bells with that classic Deagan warmth. An octave lower than standard glock, these fill the frequency gap that arrangers know exists but audiences can't identify. The secret ingredient in countless...

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Tubular Chimes

3 instruments More about tubular chimes
Tubular Chimes Ready

Adams Philharmonic Bass Chimes F3–B3

When Mahler writes low bells, he means LOW bells. These bass chimes produce the kind of fundamental-heavy tone that shakes seat cushions and reminds audiences why they came to a live performance....

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Tubular Chimes Ready

Adams Philharmonic Tubular Chimes 1.5 Oct C4–F5

Dutch-made concert chimes with the rich, complex overtones that distinguish professional instruments from student gear. These tubes sing with a cathedral authority—when the orchestra needs bells in the tower, Adams delivers. The...

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Tubular Chimes Ready

Adams Symphonic Tubular Chimes 1.5 Oct C4–F5

The Symphonic line offers a slightly different voice—more focused, less spread. Orchestra contractors who know their acoustics choose between Philharmonic and Symphonic based on the hall. Both are excellent; this one's for...

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Vibraphones

7 instruments More about vibraphones
Vibraphones Ready

Adams Alpha Apex Vibraphone 3.0

Dutch precision meets jazz soul. The Alpha's graduated bar sizes create a tonal consistency that's almost unfair to other vibes. Whether you're playing Milt Jackson licks or contemporary classical, this instrument responds...

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Vibraphones Ready

Adams Alpha Apex Vibraphone 3.5 C–F

The extended-range Alpha Apex — three and a half octaves, C to F, for the parts that live above and below the standard vibe. Same graduated bar sizes and whisper-quiet motor as...

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Vibraphones Ready

Marimba One One Vibe 3.0

Marimba One's first vibraphone, and it arrived the way everything out of Arcata does—fully formed. Three octaves of aluminum with a bloom that hangs in the air and a variable-speed motor quiet...

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Vibraphones Ready

Musser M55G Pro-Vibe Vibraphone

Gold bar edition. The M55G has been the first choice of jazz legends for decades—there's a reason Lionel Hampton's ghost still hangs around these things. The gold finish isn't just aesthetic; it...

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Vibraphones Ready

Musser M75 Century Vibraphone

The Century series represents Musser at the height of their powers. Wider bars, deeper resonators, and a presence that commands attention without screaming for it. Orchestra pits love these for their blend;...

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Vibraphones Ready

Musser M75 Century Vibraphone Vintage 1960s

Original 1960s production. The bars have aged like fine wine—decades of molecular settling have created overtones that new instruments simply don't possess. This isn't nostalgia; it's physics. The feel under the mallets...

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Vibraphones Ready

Yamaha Vibraphone 4.0 C–C

Japanese precision in a four-octave package. Yamaha's consistency is legendary—pick any two of these off the line and they'll be virtually identical. For touring productions that need multiple backup instruments, or players...

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Xylophones

3 instruments More about xylophones
Xylophones Ready

Adams Alpha Apex Xylophone 3.5

Synthetic bars that rival the best rosewood at half the maintenance headache. Adams cracked the code on creating warmth without wood—these Soloists have fooled more than a few audiences expecting that traditional...

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Xylophones Ready

Marimba One Xylophone 3.5

The cutting brilliance of a great xylophone, built the way Marimba One builds everything—obsessively. Three and a half octaves of dense rosewood that speaks the instant you touch it and carries over...

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Xylophones Ready

Yamaha Xylophone 3.5

Japanese consistency in rosewood form. Yamaha's quality control means you know exactly what you're getting—a reliable, professional-grade instrument that performs identically night after night. The session player's safety net. Never lets you...

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Xylorimbas

2 instruments More about xylorimbas
Xylorimbas Ready

Deagan No. 4726 Xylorimba 4.5 C3–F7

The hybrid that Messiaen demanded. Part xylophone, part marimba, entirely its own thing. The low end has that marimba warmth while the high end cracks like a proper xylophone. If your program...

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Xylorimbas Ready

Leedy No. 318 Xylorimba 4.5 F3–C8

Extended range Leedy xylorimba covering the extreme demands of 20th-century French repertoire. Boulez wrote for this exact range because he knew these instruments existed. The upper extension is stratospheric; the low end...

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